'Designer Anna Fleischle has created a vast set – with all the attention to detail Judy would have employed – which has a neat ability to reflect the shifting timeline.' The Guardian

'It certainly looks like a 1950s domestic idyll, in Anna Fleischle’s note-perfect design, all post-austerity bright colours and new plastic gadgets.' The Evening Standard

'A play about visual aesthetics demands impeccable design, and Tamara Harvey’s production has this down in the form of Anna Fleischle’s colour-coordinated two storey house.'  The Stage

'Anna Fleischle’s set is beautiful, lurid, loud, and as lovingly detailed as if designed by Judy and Johnny themselves.'  RadioTimes